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Thursday, 23 November 2017

‘Technology has paved way for efficient service delivery, governance’: Full text of PM Modi’s speech at GCCS

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Prime Minister Narendra Modi said, "Today, digital technology has emerged as a great enabler. It has paved the way for efficient service delivery and governance."



Prime Minister Narendra Modi on Thursday recalled the speedy evolution of cyberspace from the bulky mainframe computers to hand-held smartphones and gadgets of the present era. Speaking at the inauguration of the fifth edition of the Global Conference on Cyber Space in New Delhi today, PM Modi talked about how the cyberspace has transformed across the world in the past few decades. The Prime Minister also emphasised the need for not allowing digital space to become a playground for terrorists.

Here is the full text of his speech:-
Ladies and Gentlemen.
I welcome you to New Delhi, for the Global Conference on Cyber Space. I also welcome all those who are joining this event remotely from across the world, over the internet.
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Friends.
We all know how cyberspace has transformed the world over the last few decades. The senior generation among the gathering here, would recall the bulky mainframe computer systems of the seventies and eighties. A lot has changed since then. Email and personal computers brought about a new revolution in the nineties. This was followed by the advent of social media, and the mobile phone as an important vehicle of data storage and communication. Expressions such as the Internet of Things, and Artificial Intelligence, have now become commonplace. These indicate that change continues, perhaps at an even faster pace now.
These rapid developments in the digital domain have mirrored immense change in India as well. Indian IT talent has been recognized worldwide. Indian IT companies have made a name for themselves globally.
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Today, digital technology has emerged as a great enabler. It has paved the way for efficient service delivery and governance. It is improving access, in domains from education to health. And it is helping to shape the future of business and economy. Through each of these ways, it provides the less privileged sections of society, a more level playing field. On a macro-scale, it has contributed to emergence of a flat world, where a developing nation like India can compete on a level footing with developed nations.
Friends.
Technology breaks barriers. We believe it validates the Indian philosophy of “Vasudhaiva Kutumbakam” – the world is one family. This expression reflects our ancient, inclusive traditions. Through technology, we are able to give meaning to this expression, and indeed to the best of democratic values.
We in India, give primacy to the human face of technology, and are using it to improve what I call, “ease of living.” Empowerment through digital access, is an objective that the Government of India is especially committed to. “Digital India” is the world’s largest, technology-led transformative programme which is paving the way for our citizens to avail digital services. We are using mobile power or M-power to empower our citizens.
I am sure most of you are already aware of Aadhaar, which is the unique biometric identity of a person. We have used this identity to liberate our people from queues and cumbersome processes. Three factors: first, financial inclusion through our Jan-Dhan bank accounts; second, the Aadhaar platform; and third, the Mobile phone, have greatly helped reduce corruption. We call this the J.A.M. or JAM trinity. Through better targeting of subsidies, the JAM trinity has prevented leakages to the tune of nearly 10 billion dollars so far.
Let me share a few examples of how digital technology is becoming a great facilitator for “ease of living.”
Today, a farmer can access a variety of services, such as soil-testing results, expert advice, and a good price for his produce, at the click of a button. Digital technology is therefore contributing to increased farm incomes.
A small entrepreneur can register on the Government e-Marketplace, and bid competitively for supply of goods to the Government. As he expands his business, he also contributes to lowering the cost of procurement for Government. This leads to increased efficiency, and greater value for public money.
Pensioners no longer need to present themselves in front of a bank officer, to provide proof of life. Today, a pensioner can leverage the Aadhaar biometric platform, to provide this proof with minimal physical effort.
Women form a significant part of the IT workforce. Digital technology has facilitated several new enterprises led by women. In this way the IT sector has contributed towards gender empowerment.
Citizens of India are increasingly adopting cashless transactions. For this, we created the Bharat Interface for Money – or BHIM App. This App is helping the movement towards a less cash and corruption free society.
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These examples show the power of technology in improving governance.
Friends.
We are using the digital domain to facilitate participative governance, or Jan Bhagidari. When we assumed office in May 2014, many people, particularly youngsters expressed a keen desire to share their ideas and work for the nation. It is our firm belief that there are millions of Indians, whose transformative ideas can go a long way in taking India to new heights.
Therefore, we launched the citizen engagement portal, MyGov. This platform enables citizens to share their thoughts and ideas on important issues. In many key policy areas, we received thousands of valuable suggestions. Many logo and emblem designs for various Government initiatives today, are the result of crowd-sourcing, and competitions on MyGov. In fact, even the official app for the Prime Minister’s Office, is the result of a competition floated on MyGov, which received brilliant responses from youngsters. MyGov is a prime example of how technology strengthens democracy.
Let me turn to another example. On assuming office, I realized that important government projects and initiatives often suffer on account of unnecessary silos in government functioning, and the lack of focused decision-making. Therefore, we devised a cyberspace based platform, called PRAGATI or Proactive Governance for Timely Implementation. PRAGATI, in Hindi, literally means progress.


On the last Wednesday of every month, I meet top Union and State government officials for a PRAGATI Session. Technology breaks silos. Sitting in our respective offices, aided by the cyber world, we discuss and resolve important governance issues. I am happy to share with you that the PRAGATI sessions have resulted in faster decision-making, through consensus, in the larger interest of the nation. PRAGATI has put back on track infrastructure projects worth billions of dollars which were stuck in redtape
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I have even tried something of my own, through the Narendra Modi Mobile App. This App deepens my connect with citizens. The suggestions I get through the App are very useful.
Today, we launched the UMANG Mobile App, which will provide over a hundred citizen-centric services. At the back-end, these services will be catered for by many different departments of the Union and State Governments. This integrated approach will add an automatic layer of “peer performance pressure”, in the working of these departments.
Friends,
We shall be happy to share our experiences and success stories with the global community. On the other hand, India is keen to find scalable models and innovative solutions in education and health, using digital technology. We also wish to make cyberspace an enabler for the differently-abled. Recently, during a thirty six hour Hackathon, college students suggested solutions to chronic problems that were put forward by Ministries. We look forward to learnfrom global experiences and best practices. We believe that growth happens only when we all grow together.
Cyberspace remains a key area for innovation. Our startups today, are looking to provide solutions to common everyday problems, and improving the lives of people. I am confident that the global investor community, will recognize the immense potential waiting to be tapped from India’s startup pool. I invite you to invest in this space, and be a part of the unfolding story of Indian startups.
Friends ,
The internet, by nature, is inclusive and not exclusive. It offers equity of access, and equality of opportunity. Today’s discourse is being shaped by Facebookers, Tweeples, and Instagrammers. Social media platforms are making cyberspace participative for all. News that experts tell us from studios, is now supplemented by experiences highlighted on social media. This transition, to a blend of expertise and experience, is the contribution of the cyber world. The internet has become the ideal platform for youngsters to showcase their creativity, capability and capacity – be it an insightful blog, a beautiful musical rendition, artwork, or theatre… the sky is the limit.
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Friends.
The theme of the Conference: “Secure and Inclusive Cyberspace for Sustainable Development” also highlights the importance of securing this vital asset for mankind. The global community needs to approach the issue of cyber-security with confidence, as much as with resolve. Cyberspace technologies must remain an enabler for our people.
The quest for an open and accessible internet often leads to vulnerability. Stories of hacking and defacement of websites are the tip of an iceberg. They suggest that cyber attacks are a significant threat, especially in the democratic world. We need to ensure that vulnerable sections of our society do not fall prey to the evil designs of cyber criminals. Alertness towards cyber-security concerns, should become a way of life.
One of the major focus areas should be the training of well-equipped and capable professionals to counter cyber threats. Cyber-warriors who will remain on the alert against cyber-attacks. The term “hacking” may have acquired an exciting, even if dubious overtone. We need to ensure that cyber protection becomes an attractive and viable career option for the youth.
On a related note, nations must also take responsibility to ensure that the digital space does not become a playground for the dark forces of terrorism and radicalization. Information sharing and coordination among security agencies is essential to counter the ever-changing threat landscape.
Surely, we can walk the fine balance between privacy and openness on one hand, and national security on the other. Together, we can overcome the differences between global and open systems on one hand, and nation-specific legal requirements on the other.
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Friends.
Emerging digital technologies could impact our future in ways that we cannot yet foresee. Important questions of transparency, privacy, trust and security may need to be addressed. Digital technology serves to empower mankind. We must ensure that it continues to stay that way.
The large multi-stakeholder participation at this event, is proof of the global endorsement that this platform has received. Nation states, the industry, academia and civil society, all need to work towards a formal collaborative framework. This will enable a secure cyberspace which improves quality of life.
Friends.
This conference is perhaps the biggest ever such event in terms of numbers. I am told that all the background and logistics have been handled digitally. I hope delegates from around the world found it a smooth and seamless experience.
I conclude by wishing you fruitful and productive deliberations and outcomes. I once again welcome you,and wish the conference all success.




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Wednesday, 22 November 2017

Government sets up a panel to draft new direct tax law

The government today constituted a task force for redrafting the 50-year old income tax law in sync with the economic needs of the country. 

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The six-member task force will have Arbind Modi, CBDT Member (Legislation) as the Convener and other members, including Girish Ahuja (chartered accountant), Rajiv Memani (Chairman and Regional Managing Partner of EY) and Mansi Kedia (Consultant, ICRIER). 
Prime Minister Narendra Modi, during the annual conference of tax officers in September, had observed that the Income-tax Act, 1961 was drafted more than 50 years ago and it needs to be redrafted. 


Accordingly, in order to review the Act and to draft a new direct tax law in consonance with economic needs of the country, the Government has constituted a task force," a finance ministry statement said. 

The task force will submit its report to the government within 6 months. 


Chief Economic Adviser Arvind Subramanian will be a permanent special invitee in the task force. 




The panel has been tasked to draft a direct tax legislation keeping in view the tax system prevalent in various countries, the international best practices and economic needs of the country. 

Seeking to replace the existing I-T Act, the UPA government had in 2009 come out with Direct Taxes Code to simplify the tax legislation for individual taxpayers as well as corporates. 


The Direct Taxes Code (DTC) Bill, 2010, which was introduced in Parliament in 2010, lapsed with the dissolution of the 15th Lok Sabha. 

The Bill had proposed annual I-T exemption limit at Rs 2 lakh, and levying 10 per cent tax on income between Rs 2 lakh and Rs 5 lakh, 20 per cent on Rs 5-10 lakh and 30 per cent above Rs 10 lakh. For domestic companies it suggested tax rate of 30 per cent of business income. 

The NDA government, since coming to power in 2014, has already implemented general anti-avoidance rules GAAR. In 2016 Finance Minister Arun Jaitley also promised to lower corporate tax rate to 25 per cent in 5 years. 


Currently, income up to Rs 2.5 lakh per annum is exempt from tax for individuals.

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Reserve Bank of India Recruitment – 526 Office Attendant Vacancies – 10th Pass Apply – Salary 23700/-


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Reserve Bank of India (RBI) has recently published notification for the post of Office Attendant in various offices of the Bank. Apply Online before 07th December 2017. All job seekers are invited to apply this post. Eligibility detail and application process is given in the bellow notification.



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~ >  Vacancies :- 526 Vacancies.
~>  Post Name :- Office Attendant.
~>  Job Location :- All Over India.
~>  Late Date to apply or submit job application :- 07th December 2017.

The Reserve Bank of India (RBI) is India’s central banking institution, which controls the monetary policy of the Indian rupee. It commenced its operations on 1 April 1935 during the British Rule in accordance with the provisions of the Reserve Bank of India Act, 1934.

Educational Qualification :- All Interested Candidates should have 10th Pass or its equivalent qualification from a recognized Board/University.

Age Limit :- Applicants Minimum & Maximum age limit is 18 to 25 years (As on 01.11.2017). Age relaxations will be applicable as per the rules..

Application Fee :- Applicants have to pay Rs.450/- (Rs.50/- for SC/ST/PWD/EXS) hrough Online using Debit Cards (RuPay/Visa/MasterCard/Maestro), Credit Cards, Internet Banking, IMPS, Cash Cards/ Mobile Wallets.

Salary :- Candidates can get salary Rs. 10940-23700/- Per Month.

Grade Pay :- As Per Rules.

How To Apply :- All Eligible job seekers may apply online through the website http://www.rbi.org.in from 17.11.2017 to 07.12.2017. there after link will be disabled.
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Tuesday, 21 November 2017

Padmavati row LIVE: Yogi Adityanath slams Deepika Padukone’s film; FIR against BJP leader Amu, Maharashtra mulls ban

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Just days after director Sanjay Leela Bhansali’s historical epic Padmavati, starring Deepika Padukone, was withdrawn from the calendar, UP CM Yogi Adityanath slammed the director. Stay tuned for the latest updates.



With just days to go before its release, director Sanjay Leela Bhansali’s historical epic Padmavati has been withdrawn from the calendar. Makers Viacom 18 postponed the December 1 release after a series of violent threats by fringe groups. Bhansali and star Deepika Padukone, who plays the titular role, were threatened with violence. With Madhya Pradesh banning the film and Punjab CM Amarinder Singh joining the chorus, we bring you the latest updates on the controversy:

Akhil Bharatiya Maratha Mahasangh and Akhil Bharatiya Kshatriyahasangh members protest against Sanjay Leela Bansali's upcoming film Padmavati at Azad Maidan , in Mumbai. (PTI)

2:50 pm IST: “There is objection over story of a film. Famous film Mughal-e-Azam showed Anarkali as Saleem’s mehbooba, when in reality there is no such thing but no Muslim objected because it is a story & Muslims are large-hearted they know a film can’t ruin their history,” said Samajwadi Party leader, Azam Khan, according to ANI.

2:31 pm IST: TV reports suggest Maharashtra is mulling a ban on Padmavati. Punjab, UP and MP have ‘banned’ the film so far.

2:00 pm IST: The atmosphere of “intolerance” and “barbaric” statements on “beheading” of filmmakers and actors has upset Rohit Roy, who says he is frustrated about being an Indian living in India.

“For the first time, I’m sad, frustrated, enraged that I’m an Indian living in India... Never thought I’d ever say that. Indeed, very sad. Jai Hind,” Rohit tweeted.

12:40 pm IST: Within 48 hours after protest over the Sanjay Leela Bhansali film reached Kolkata with members of Bharat Kshatriya Samaj vowing to prevent the release of the film in West Bengal, the Trinamool Congress made it clear that they will not allow any muscle flexing in the name of protest.


The tone was set by chief minister Mamata Banerjee herself, who tweeted her displeasure over the controversy around Padmavati. “The #Padmavati controversy is not only unfortunate but also a calculated plan of a political party to destroy the freedom to express ourselves. We condemn this super emergency. All in the film industry must come together and protest in one voice,” she wrote on Monday.

12 pm IST: On Tuesday, UP Chief Minister Yogi Adityanath slammed Bhansali in an interview to CNN-IBN, saying ‘he invited trouble’ by making the film. He said that the ban on the Padmavati would continue in the state, and that the filmmakers should respect the sentiments of the 22 crore citizens of UP.

“Nobody has the right to take law into their own hands, be it Sanjay Leela Bhansali or anybody is. And I feel that if those giving death threats are guilty, then Bhansali is also guilty of hurting people’s sentiments,” he said.

11:45 am IST: Police have been stationed outside Deepika Padukone’s parent’s house in Bengaluru. “I have asked the Haryana Chief Minister to take strict action against those threatening to harm Deepika, as she only played the lead role in the film as an actress as directed by its maker,” Karnataka CM Siddaramaiah said on Monday.



“I condemn the culture of intolerance and hate perpetuated by the BJP and its right-wing groups. Karnataka stands by Deepika who is a renowned artist from our state.”

11:40 am IST: Actor Kamal Haasan tweeted in solidarity with Deepika Padukone. “Extremism in any debate is deplorable. Wake up cerebral India.Time to think. We’ve said enough. Listen Ma Bharat,” he wrote.

10:35 am IST: According to ANI, a man from Gurugram has filed an FIR against BJP leader Suraj Pal Amu for his comments against Deepika Padukone & Sanjay Leela Bhansali. The leader previously encouraged violence against the filmmaker and star.

10:15 am IST: In an appearance at the ongoing International Film Festival of India in Goa, actor Shah Rukh Khan, in what seemed like an oblique reference to the ongoing protests and the exclusion of two films from the festival, said, “.... Familial experience binds us all together, makes relationships stronger even in the face of dissent and discussion as it happens in a family, instead of tearing us apart.”

I&B minister Smriti Irani and Goa chief minister Manohar Parrikar inaugurated the festival along with Shah Rukh Khan.

9:45 am IST: At the IFFI red carpet on Monday, several Bollywood personalities such as Ashwiny Iyer Tiwari (director of Bareilly Ki Barfi), producer Boney Kapoor and composer AR Rahman refused to address the issue. However, filmmakers Kabir Khan, Milan Luthria, Shoojit Sircar and Meghna Gulzar expressed solidarity with Bhansali.



8:35 am IST: CBFC chief Prasoon Joshi on Monday said the censor board is trying to come up with a “balanced decision” about Padmavati but it should be given adequate space and time to do that. “We need to understand that the CBFC must take a balanced decision. This situation was not created by the CBFC. It had nothing to do with the protests on the roads. You show the film to media houses and get reviews done but you want CBFC to deliver a fair and well-thought out decision?” Joshi said

8:30 am IST: While defending the film on Monday, lyricist and writer Javed Akhtar made incendiary remarks against the Rajputs, who have been protesting the film’s release over its depiction of Queen Padmavati. “The Rajputs and the Rajwadas never fought against the British and now they are taking to the streets against a film and a filmmaker,” he said.

The threats

Several fringe groups have been threatening violence against the film, ever since its production began earlier this year. A Meerut youth offered a Rs 5 crore bounty on director Bhansali and star Deepika Padukone’s heads.

The film starring Deepika, Shahid Kapoor as Maharawal Ratan Singh and Ranveer Singh as Alauddin Khilji, is based on the legend of Rani Padmavati, a Hindu Rajput queen.


Padmavati has an important place in Indian literature but there is little proof of the legendary queen’s existence. The filmmakers have said Padmavati is a work of fiction but that did not stop the protests. The troubles began when members of the Rajput Karni Sena attacked the filmmaker on the sets of the film, alleging that he was misrepresenting ‘facts’ about the queen - especially her ‘relationship’ with tyrant Alaudin Khilji.

Protesters allege that the historical facts in the movie had been wrongly presented to “defame” the image of Padmavati and that it had hurt the sentiments of lakhs of people.

Padmavati has been facing a lot of trouble since early this year. Bhansali was assaulted by activists of a Rajput community group, Karni Sena, while shooting in Jaipur.

BJP leader Suraj Pal Amu took the threats a step further on Sunday. “If you do not take back your words, we will break your legs,” he said in Hindi, addressing the film’s star, Ranveer Singh.

“I want to congratulate the Meerut youth for announcing Rs 5 crore bounty for beheading Deepika, and Bhansali. We will reward the ones beheading them with Rs 10 crore, and also take care of their family’s needs,” he said.


01] Punjab’s Amarinder Singh becomes first Congress chief minister to support protests against movie

02] Haryana wants movie banned, a party leader offers Rs 10 crore bounty for anyone beheading Padukone or Bhansali

03]  Rajasthan wants "objectionable" parts of movie removed. Group called Karni Sena threatens actor Deepika Padukone, director Sanjay Leela Bhansali

04] Gujarat BJP tells Election Commission movie should be released after state elections

05] Maharashtra govt assures security to Padmavati’s actors, director and theatres; Shiv Sena wants Bhansali to heed protesters’ demands

06] Karnataka govt assures security to movie, asks Haryana to take action against people threatening Padukone

07] Telangana BJP leader T Raja Singh threatens to torch theatres if they screen the movie

08] West Bengal CM Mamata Banerjee supports movie, calls controversy ‘super emergency’

09] MP bans movie. CM Shivraj Singh Chouhan says he won’t allow "distortion of history"

10] UP too wants movie delayed. A Thakur leader offers Rs 5 crore as bounty for beheading Bhansali or Padukone



Bollywood reaction



Several Bollywood personalities objected to the decision, some even calling for a boycott on the release of all films. Padmavati star Shahid Kapoor said that he is ‘optimistic and proud of the film’ and that ‘any kind of violence and coercion is uncalled for.’

On Monday, actor Shabana Azmi and lyricist Javed Akhtar called members of Bollywood to refuse to be “puppets in this game of electoral gain, divisive politics and polarisation” as the row over Padmavati turned uglier and blamed the BJP governments at the Centre and some states of not doing enough to handle the protests against the film.

Akhtar said, “the people who say they will eradicate terrorism, can’t ensure that a film is released.”

For discussion’s sake, even if one was to accept that somebody’s feelings have been hurt, that she was indeed a historical figure, and so on, what are we doing about it? Are you going to cut somebody’s nose or chop off somebody’s head? Is that how a civilised country will work?” asked the national award-winning writer.

Javed Akhtar’s remarks that the Rajputs were pawn of the British earned him threats of his own.

One of the film’s stars, Shahid Kapoor, broke his silence at the ongoing India International Film Festival in Goa. “Sometimes films of this nature.... it gets a bit complicated. I will choose to be optimistic till the due course is done. This is not the time to be angry, not the time to lose your cool. There are enough people doing that. So I would choose to say that I believe in the process,” Shahid told reporters at the IFFI red carpet.

There have been other voices too. Veteran actor Prakash Raj tweeted, “Will they let #Padmavati release post election at least .

One announced five crores... now a party spokes person announced ten crores reward for those who behead an actor and a director !!There seems to be loads of moeny to gift post demonitization... but does that includes GST... #justasking”



Twinkle Khanna tweeted on, “And as far as #Padmavati is concerned I wish it is the biggest hit ever as that would be the befitting rejoinder to all these loony threats!”

Riteish Deshmukh tweeted: “What kind of a country are we becoming???? Open death threats!!! Hope our Honorable Government takes quick action. #Padmavati #KyaMeraBharatMahaanHai?”

CBFC’s stand

The CBFC had sent the film back to the producers as the application for the certification was “incomplete”. CBFC chairperson Prasoon Joshi said he deplored the use of “convenient, casual methods” and said there should be “a responsible, mutually respectful and balanced approach”.

Ajit Andhare, COO, Viacom 18 Motion Pictures, which has produced the film, told PTI that the issue with the application was “minor” and the CBFC could have screened the film. “That’s true. But film is with the CBFC, it is merely a minor technical issue. Nothing stops them from seeing the film if they want,” he said.

Joshi has also criticised director Sanjay Leela Bhansali for screening the film for a select group that included TV anchor Arnab Goswami without a certificate. “It is disappointing that the film Padmavati is being screened for the media and getting reviewed on national channels without the CBFC having seen or certified the film. This compromises the role of systems and balances that are part of a functioning industry,” said Joshi.

The Board refused to expedite the film’s certification process.

Madhya Pradesh chief minister Shivraj Singh Chouhan has told delegations of the Rajput community, which is protesting the film’s depiction of Rani Padmini, or Padmavati, that his government won’t tolerate any “wrong portrayal of a character worshipped by the nation”.

Rajasthan will not allow the movie to be screened in the state without “necessary changes” suggested by chief minister Vasundhara Raje.



She wrote on Saturday to Union information and broadcasting minister Smriti Irani for the changes to respect the sentiments of Rajputs.

The Uttar Pradesh government has also called for cuts to remove objectionable sections from the movie, which was due to open on December 1 but its producers postponed the release amid violent protests and death threats.

As the protests mounted, Shiv Sena chief Uddhav Thackeray spoke to director Sanjay Leela Bhansali after a Rajput delegation sought his intervention. The party said the filmmaker should edit out offending portions.

The protesters found a supporter in Punjab chief minister Amarinder Singh, who became the first Congress leader to speak out against the film.

“Nobody will accept the distortion of history and those who are protesting are rightly doing so,” ANI quoted the Congress leader as saying.

What happened

Trouble began after the Rajput Karni Sena, a fringe group, demanded a ban on the film because it “distorted history”. Bhansali has repeatedly denied this charge while the makers reiterated that the film was a cinematic masterpiece capturing “Rajput valour, dignity and tradition in all its glory”.

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Monday, 20 November 2017

Vivo V7 With 5.7-Inch 18:9 Display, 24-Megapixel Front Camera Launched in India: Price, Specifications

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Vivo V7 price in India is Rs. 18,990

It will go on sale exclusively via Flipkart from November 24

Tt is already up for pre-booking with offers on Flipkart


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Vivo V7 was launched in India on Monday at an event in Gurugram. The Chinese smartphone manufacturer's latest selfie-focused smartphone is a smaller version of the Vivo V7+ that the company had launched back in September this year. The smartphone retains much the same specifications as its larger sibling, but, features a smaller battery, half the onboard storage, and a smaller display. Highlights include its 18:9 display and its 24-megapixel front camera. At the event, the company revealed the Vivo V7 price in India, its specifications, and its availability. The smartphone will be exclusive to Flipkart in India.

     Vivo V7 price in India, launch offers

The Vivo V7 price in India is Rs. 18,990, and it will go up for pre-booking on Flipkart from Monday itself, with the first sale on Friday, November 24. The smartphone has been launched in its Champagne Goldand Matte Black colour variants.

Flipkart has detailed Vivo V7 pre-booking offers, which include no-cost EMIs, one-time free screen replacement, exchange offers (up to Rs. 18,000 off and additional Rs. 2,000 exchange discount), free couple movie voucher from Bookmyshow, extra 5 percent discount on Axis Bank Buzz credit cards, and, priority delivery.
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     Vivo V7 specifications

The dual-SIM (Nano) Vivo V7 runs Funtouch OS 3.2, based on Android 7.1 Nougat. The smartphone sports a 5.7-inch HD+ (720x1440 pixels) FullView IPS display with an 18:9 aspect ratio. It is powered by an octa-core Snapdragon 450 SoC clocked up to 1.8GHz, coupled with 4GB of RAM. It's likely Vivo has decided to use the same Snapdragon 450 SoC on the V7 as it used on the V7+. We can expect a confirmation on Monday, at the India launch event.
The Vivo V7 sports a 16-megapixel rear camera with flash and an f/2.0 aperture, apart from a 24-megapixel front camera with a soft 'Moonlight Glow' selfie light and an f/2.0 aperture. The smartphone bears 32GB of inbuilt storage that's expandable via microSD card (up to 256GB) with a dedicated slot.
Connectivity options on the Vivo V7 include 4G VoLTE, Wi-Fi, Bluetooth v4.2, GPS/ A-GPS, Micro-USB, and FM radio. Sensors on board include accelerometer, ambient light sensor, digital compass, proximity sensor, and virtual gyroscope. It sports a 3000mAh, measures 149.3x72.8x7.9mm, and weighs 139 grams.

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Sunday, 19 November 2017

Padmavati actor Deepika Padukone: When the heart is in the right place, no one can stop a film

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A decade ago, Deepika Padukone began her career in films with Farah Khan’s Om Shanti Om. As she returns to Bollywood screens after a two-year break, with Sanjay Leela Bhansali’s new production Padmavati, the actor talks about her journey so far, learning to be herself and why she can never be a social media sensation.

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Padmavati is your most ambitious project so far in terms of scale. What does it mean to you?

It’s wonderful not just for me, but for women in cinema in general, considering the kind of budget woman-centric films have had in India. I’m extremely proud of the fact that today I’m in a place where producers (Viacom 18 and Bhansali Productions) not just trust me but cast me in a movie that primarily revolves around the life of a woman character. I have acted in woman-centric movies earlier, too, such as Piku. None of them were like this in terms of scale.

What did you find fascinating about the character of Padmavati?
I look at it through two different lenses. As an actor, I am excited about her strength and courage. I have played strong women characters in some of my films and each one of them is identifiable — be it Naina from Yeh Jawaani Hai Deewani (2013), Veronica in Cocktail (2012) or Mastani in Bajirao Mastani. All of them have a mind of their own. Same goes for Padmavati. 
Today’s generation can relate to her courage. For me, the fact that such a film is made and supported is very empowering. Its first poster featured me as Padmavati. I have not seen that in a long time.
How much investment in terms of time and energy have you made?
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A lot. While we were shooting for Bajirao Mastani, one day Sanjay Leela Bhansali asked me: ‘What are you doing next year? Keep your dates aside as I’m thinking of doing a movie on Padmavati.’ So, this kind of started brewing some three years ago. A large part of the preparation for a film is a mental process. For me, it is not so much about going for diction classes or learning the dance moves — those are simpler. What’s important for me is that one is completely consumed by the character.
What kind of challenges did it pose for you as an actor?
It is weird that every time I talk about a movie, I feel that it is the most difficult role I have played. I have to say that again with Padmavati. I will work on my next (a movie produced by Vishal Bhardwaj on a gangster, Sapna Didi) in February. Everyone has been asking me why I am taking a long break before that. But I need that time off. Padmavati has taken so much from me — physically and emotionally — that I need time to rejuvenate and feel like myself again before I slip into another role.
How affected were you by the controversies around the film during its making?
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We are extremely proud and confident of the film we have made. When the heart is in the right place, no one can stop a film. While working on the film, as artistes, we were in a different zone. I only spoke up last month after I finished the film and came out of that zone (she reacted to a group of protester in Surat damaging a rangoli inspired by Padmavati). That’s when I wondered for how long are we going to remain silent? 
That’s when I wondered for how long are we going to remain silent? For how long would the entertainment industry be made a scapegoat for everything that happens in this country? I believe we are constantly answerable to everyone for some reason or the other. Why attack cinema which is full of love and which brings people together? Why curb people’s freedom of expression? How long can we allow some people to get away with what they have been doing?
When you know someone in a certain way, to turn that dynamic on its head is quite challenging. We didn’t meet during the shoot. We didn’t have any idea about what the other person was doing.
This is your third film with Sanjay Leela Bhansali and Ranveer Singh. Ranveer and you played passionate lovers in the first two (Goliyon Ki Rasleela Ram-Leela, 2013, and, Bajirao Mastani). In Padmavati, you don’t even share the screen with him.
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It is very weird! Sanjay sir brought the two of us together for two love stories and then he decided to put us in some kind of hate story. We are almost like the beauty and the beast in Padmavati.
You do a Chennai Express (2013) and then Finding Fanny (2014). How do you choose your projects?
The choice is instinctive. But I wish to keep the excitement alive. I find it very thrilling to get into different characters every six months. Even while picking my scripts, I follow my instincts. I am not looking at churning out X number of movies, but I want to do quality work. If I don’t like something, I won’t take it up. That’s something I’m never going to change. So, sometimes, there could be four films of mine in a year or just one.
This is your 10th year in the industry. How would you say the journey has been so far?
I have got way more than I had ever imagined. I also know that it is a result of my commitment, hard work and dedication. It has not happened overnight. Only my family, my team and I know what kind of effort it has taken. At the same time, I’m not complaining. I love what I do.
Which are the movies that became turning points in your career?
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Om Shanti Om (2007) definitely is one. Very few actresses would have had that kind of debut. Even today when I step out, people call me Shantipriya. After Om Shanti Om, there was Love Aaj Kal (2009) and Cocktail.
Cocktail consolidated your position as an actor. But was that the outcome of the hard work you put in the preceding years?
Hard work is constant and consistent. When people don’t like a film, it does not mean that hard work has not gone into it. Maybe we had not identified with what was being done. I have learnt on the job, evolved as a person and all that has made me the actor I am today.
Did you struggle to fit into the industry?
I would not say it was hard. However, I had created a certain pressure for myself. It was my own assumption that one has to look a certain way or conduct oneself in a certain manner until I realised that the best way is to be myself. That came after my on-the-field experience as well as through my share of ups and downs. I understood that there is a stereotype but I don’t have to make an effort to fit into that.
Have your looks ever worked to your disadvantage?
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They can be a disadvantage. I have been told that I was not offered some projects because I’m good-looking. A director I have worked with a couple of times told me: ‘You are too good-looking for this part. It does not work for the story.’ I have never really understood what that means. (After a pause) I find that’s a director’s shortcoming. If the director knows that I have the ability to deliver, then he should also know that I would have the ability to transform myself physically to essay that character.
You call yourself a shy and private person. How do you handle the public scrutiny of your life?
That’s what I am. I understand the public interest in my life, but I find it hard to deal with. At the same time, I have chosen to be in a field where it is part of what I do. So, I have come to terms with it. I would like to believe that I handle it well now. I am still awkward in large gatherings. But, if I can’t make conversation, I don’t put any pressure on myself. Besides, I don’t want to announce on social media what my mood is like or what I’m having for breakfast.
Earlier, you often spoke about your personal life, but now, you seem to be a lot more restrained about what you share…
There is no formula to that either. There are some parts of my life I would like to keep to myself. The rest is in the public domain. I may choose not to talk about certain things, but I don’t hide anything either.
What led you to speak about your depression?
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When I got better, something told me that I needed to share my experience. I am happy to see how the conversation around mental health has changed. We are acknowledging the condition and addressing it. Though the stigma attached to it still exists and we have a long way to go, people are actually observing Mental Health Day!
Was it cathartic?
I feel liberated today — I had caged it up within me for so many months. I could not understand what was happening to me. Since I am open about it, everyone knows what I have been through. Maybe a part of me felt responsible to help other people as there is a lack of awareness regarding it. Often, there is a conflict over what is going on in one’s mind. After I spoke up, at least some people jumped that phase. They can identify the symptoms. For me, recognising these symptoms was the hardest part. Getting over it was easier.
When you take a break between projects, what do you generally do?
I’m with my family. With them, it is more about doing things together like every other family. That keeps me grounded.
When all of you get together, are there frequent badminton games?
I have recently started playing badminton again. My racquets were rusting and the shuttles were getting musty. I play downstairs in my building in the evening.
Both your sister Anisha (she is a golfer) and you went on to make unusual career choices. What prompted your choices?
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We made our own career choices because our parents gave us wings to fly. They did not burden us with their expectations. That’s what my grandparents did with my parents. My parents have given us a normal and disciplined childhood without much luxury, like any other middle-class family. My sister and I are different from each other. My parents could see that and encouraged it. I was inclined to the creative world. 
My sister, on other hand, is extremely calm and intelligent. She has become her own beautiful person today. A large part of my success is because my parents have been so supportive.
You are often spotted hanging out with other film personalities. What’s your social life like?
I am extremely grateful that I always had very supportive co-stars, directors and producers. The unfortunate fact about being an actor is that we are like nomads — we are constantly moving from one place to another. We build a life with a certain group of people when we work on a film, but just when we are emotionally getting comfortable, it is taken away from us. We move on to our next film and start the same process all over again. The good thing is that all of us are supportive of each other and we make the effort to stay in touch.
Recently, some female actors have talked about the exploitation and harassment they faced or face in the industry. You were an outsider when you came in. Did you face any such problem?
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I can only speak from my experience. Being an outsider, I was always told that Bollywood is equal to a casting couch. I have been very fortunate not to have experienced it. I am made to feel extremely safe and comfortable. But, perhaps, that’s not the case with other people.
I can see Willie Harcourt-Cooze’s Chocolate Bible in your living room. Are you a chocolate person?
I am a baking person. I enjoy cooking, but I love baking more. I bake quite often. Over the years, I have picked up books during my travels that mean something to me. Right now, this book is a display piece. Hopefully, it will soon make its way into my kitchen.
People’s Choice
Deepika is undoubtedly an amazing actor and an equally gorgeous person. I have always found her to be grounded, warm and gracious. Her success itself is an inspiring story. She is simple and honest and approaches each role with great intelligence. — Honey Trehan, director of her next film
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Deepika’s upbringing has given her a lot of discipline and the ability to work hard. She is obviously talented, but after Cocktail, she has been unstoppable. She has made brilliant choices by picking up different kinds of roles and by making them work for her. — Dinesh Vijan, producer-director
I have observed her growth from Love Aaj Kal. Over the years, she has grown as a person and also as an actor. That’s very important. Her performance has a lot of depth and she puts in a lot of heart into it. That’s possible because apart from being an amazing actor, she is a nice human being. — Mukesh Chhabra, casting director
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